When: October 19, 2013, 10:45 AM to 5 PM. (Please arrive between 10:30 and 10:50 AM; the presentations will begin promptly at 11 AM).
Where: Production Room 2 at the Central Public Library at 120 Navy Street in Oakville, ON. Map
RSVP to email@example.com (or to Emily) by October 15.
There is no fee for SONSI members. Non-members* are asked to reserve their seat by making a $15 donation to SONSI (to help cover the costs of facility rental and food) by credit card via PayPal (send it to firstname.lastname@example.org). Space is limited! *Registration is open to non-members after October 1. Please note there are no refunds offered after October 11.
SONSI will provide lunch as well as modest refreshment for a short afternoon break.
Following the presentations, all are invited to convene at The Queen’s Head Pub for dinner (not provided by SONSI). Please indicate whether or not you intend to join us for this so appropriate reservations may be made. The Pub is a 5 minute walk from the Library. See the menu here. Map to pub.
Presenters and Topics:
Bird Illustration — A Bit of History
Kathryn takes us on a brief but enjoyable historical tour of bird illustration, an art form that has fascinated artists and delighted viewers for literally thousands of years. Developments in bird illustration parallel the history of print and reproduction technologies.
Kathryn Chorney is a full time professor in the Illustration program at Sheridan College, Oakville, and an award-winning medical and scientific illustrator. She is a graduate of the University of Toronto’s Master of Science in Biomedical Communications program.
Scratchboard as applied to Natural Science Subjects.
Lori will discuss the process and challenges of her scratchboard artwork and bring an example to show.
Lori Dunn is one of Canada’s primary scratchboard artists. These black and white engravings produce works with incredible realism and detail. With a B.Sc. in zoology, she has turned her background with science into a career in fine art.
Illustrating the Neuroanatomy of the Great Hammerhead Shark
Dino will discuss the process he used for creating an illustration of the neuroanatomy of a hammerhead shark including research, references and technique.
Dino Pulerà earned his B. Sc. from the University of Toronto, and his MSc.BMC from the Division of Biomedical Communications (U of T). He works full time for Artery Studios, a medical legal & animation studio, as an associate art director and medical illustrator. His current freelance work includes the third edition of his co-authored book, The Dissection of Vertebrates.
The SONSI Logo!
At three and a half years old, SONSI is in dire need of a logo to represent it. SONSI’s Logo Committee recently solicited sketches from members with the idea that one will be selected and refined to serve as our logo – a difficult prospect, given that SONSI members are a busy, diverse and keenly visual group of people. Elizabeth will present the discussions of the Logo Committee and at this time, SONSI members will vote on a logo design.
Elizabeth Pratt is SONSI’s Vice President and Secretary as well as Chairperson of the Logo Committee.
Emily S. Damstra
The Unexpected Challenges of Interpretive Sign Illustration
Emily will talk about some of the interpretive sign illustrations she has worked on over the last few years, including a reconstructed Neutral Nation village, turtle habitat in four seasons, and a little girl stepping in dog poo.
Emily Damstra has been a freelance illustrator for 13 years, exploring a diversity of subjects and projects along the way. She has an MFA degree in Science Illustration from the University of Michigan.
Anyone Can Draw a Dinosaur – But Should They Be Allowed To?
Hall Train presents some of his pet peeves in dinosaur depiction through the decades. Eyes, skin, colour, locomotion – we have the evidence, but why do so few artists use it?? Above all, an illustration should have some meaning, and not be just another picture of one dinosaur killing another.
Hall Train is one of the world’s most renowned illustrator/sculptor/animator/recreators of dinosaurs and other extinct life forms. Part of the secret of his success is analyzing what the real fossil evidence tells us – even if it comes as a surprise to some paleontologists!
Illustrating Non-fiction Picture Books
Karen will discuss the process of creating a children’s book.
Karen Reczuch studied at Sheridan College and has been illustrating Canadian picture books for over 25 years, including the award-winning books “Salmon Creek” and “Loon.”
Reconstructing the Past: Archaeological Illustration at Çatalhöyük
Archaeological illustrators draw on many different skills and disciplines to create engaging and scientifically accurate reconstructions of the past. Kathryn will discuss her experiences with the reconstruction process using examples from Çatalhöyük, a 9000 year old Neolithic site in Turkey.
Kathryn Killackey is a science illustrator with extensive experience illustrating archaeological subjects from a range of time periods and geographic areas. She has been the project illustrator for the Çatalhöyük Research Project for the past 7 years.
The Art of fact: Illustrating the Creatures of the Burgess Shale
Marianne will demonstrate an evolution of the illustration techniques used to create reconstructions of over 75 fossilized Cambrian species. Demonstrated techniques range from pen and ink at the beginning of a pre-computer timeline to digital art in the present. The process of getting from the fossil to the animal reconstructed in life will also be explored.
Marianne Collins first became acquainted with the 500 million year old fossils while employed as staff artist at the Royal Ontario Museum. Marianne is now internationally known for unlocking previously unknown creatures from thin slabs of Burgess Shale and bringing them to life in her reconstructions. Does that make her a Rock Star?
The China Project
Jacqueline will discuss an ongoing project for the Shanghai Museum of Natural History, and the challenges of working with clients abroad.
Jacqueline Mahannah is a Medical and biological Illustration graduate of the University of Michigan, currently living in Sarnia Ontario. She is both a freelance science illustrator and a busy mom of two young boys.
The first event of the SONSI year in 2012 took place at, by now, the well known Hall Train Studios, and as usual the reason for the gathering was more than enough to prick a few ears. This time members were invited to view two of Hall’s newest models just before they were sent off for permanent display The Museum of Natural History (the one in New York where the displays come to life after closing time, according to Twentieth Century Fox Film Corporation). If this were true then there would be an extra forty foot Golden Orb spider and eight and a half foot Trapdoor spider to deal with. Thankfully, for all in attendance, the only live spiders at the studio were in jars and of a regular size.
The second June event followed suit with one of the world’s (genuinely) largest spiders, the Giant or Goliath Bird-eating spider. This time the spider was being shown en plein-air to simultaneously amazed and trepidatious members by Tom Mason, the curator of birds and invertebrates at the Toronto Zoo, as part of a special behind the scenes tour. The tour included two fuzzy baby African penguins, a West African scorpion, Whip scorpion, Eastern Fox snake, Babirusa and aside from the velvety spider, petting an awesome Indian rhinoceros and hornbill.
In July members congregated at the home of fellow member Fiona Reid for a night of mothing, it isn’t even a word, but it is the type of activity which creates the reaction of excitement in a very select group of people, including nature and science illustrators. A delicious sounding concoction of various ingredients including banana and Reisling was smeared on nearby trees to attract moths buffet style after nightfall. White sheets with lights shining through were set up in order to catch glimpses of the moths as they fluttered towards the light. Members were able to identify some beautiful moth species, a few other anthropods and a porcupine. Read more…
See the art here:
Kathryn Chorney’s piece “Polypore Fungi - Tyromyces” was juried into the GNSI’s summer exhibit taking place at the Dorr Museum at the College of the Atlantic in Bar Harbor, Maine, from July 08 to August 24, 2013.
Kathryn says: “I found these fungi in High Park, Toronto, in October 2011. I was fascinated by their forms, and as always, there was the reward that comes from taking notice of the natural subjects that present themselves in the course of our daily lives – even the humblest subjects offer such a big opportunity. I supported my observational drawing with research in field guides and several internet mycology sites, to determine that my specimens were Tyromyces, a common polypore fungus of dead wood.
“I spent many hours working on colour palette and drawing style, having quickly realized I was not just illustrating fungi, but also the maple tree bark, which is very craggy seen this close-up. I ultimately used a mix of techniques including graphite, watercolour washes, masking, sponging and spattering, as well as opaque gouache and casein. I also decided to add a calligraphic element: I chose the only Shakespearian reference to mushrooms — a short quotation from The Tempest.”
A gallery of the exhibition is planned for the GNSI web site - <www.gnsi.science-art.com>
SONSI member Hall Train created some wonderful illustrations of dinosaurs and other prehistoric life for a symphony, composed by Dean Burry and performed by the North York Concert Orchestra.
Many SONSI members will be able to recall visits to the Hall Train Studios for past events. There is always something fascinating to look at some point in the transformation from concept to reality, though the destination is often far away. This year the destination of one of Hall’s exhibits was a hop, skip and a jump away for many members in Hamilton’s Royal Botanical Gardens. Battle of the Titans is an exhibit focusing on two well loved titans; the Triceratops and Tyrannosaurus Rex. SONSI members gathered in larger than usual numbers for a tour of the exhibit by no other than Hall himself. The exhibit opens through a relatively small entrance, flanked on either side by life sized models of the heads of T-Tops and T-Rex. This opens into a clear, bright, wide space. Following the hint at the entrance to pick a side, turning left of the entrance around the head of the T-Tops will acquaint you with this creature; walking around the right side of the gallery will bring you up to speed with the T-Rex. In the centre of the exhibit, the lower level is dominated by life sized replicas of the two, clashing. Each display area has a specific focus, from what was eaten and why, to what came back out and why that it is important. There are really interesting interactive skulls demonstrating how each creature saw, wonderful images of their young and how they might have experienced their early lives and even information on just how brainy they were. In keeping with the location of this exhibit there are specially selected plants all around the exhibit both living and fossilized, all of which were present during the era of these dinosaurs. The blood, gore, and horror of past impressions seem to be swept away with this exhibit, it feels fresh and engaging with current research and discoveries, told in videos of lively, prominent paleontologists throughout the exhibit. The result is an impression of two animals with relatable circumstances (such as the challenges they faced due to the changing climate), instincts and motives, not the other-worldly, blood dripping from their fangs, monsters that have been the accepted image for so long. Read more…
Two SONSI members, Lori Dunn and Dino Pulera, have work in the current Science-Art Nature on-line exhibit Windows on Evolution.
Lori Dunn’s scratchboard work, “Canine Ancestry” was one of six pieces from the Windows on Evolution show selected to be printed and exhibited at the Darwin Day symposium and luncheon at Stanford University – scientists from many departments including NASA attended this event. “Canine Ancestry” will also be used to accompany a lecture on evolution next year at
Sonsi’s third annual exhibit began on Saturday February 2nd at its most eastern location so far, the Richview Public Library in Toronto.
The space is intimate, bright and airy and the shelves of books nearby are a fitting accompaniment to SONSI’s art. The library even set up a table of books in their collection with works of art by exhibiting SONSI members.
Thanks should go to everyone who’s efforts both great and small made this event and exhibition possible.
To see more pictures from the Exhibit hanging and reception, please click on the Event photo page.
The SONSI Exhibit 2013 catalogue is now on-line. If you cannot make the show, or if you would like to revisit favourite works, it is now possible to view the works and their descriptions at Exhibit 2013 Catalogue. You can also download a PDF version, SONSI 2013 catalogue , with colour thumbnails. The print version reads beast when printed on two sides of paper, or view it in Adobe Reader with the page display setting: Display Cover Page During Two-Up.
We hope to see many of our friends and supporters at the SONSI Exhibit 2013 Reception this Saturday. The weather looks like it will cooperate: colder, scattered flurries, but no accumulation, on Friday. Possibly some sunshine on Saturday.
Everyone attending the reception will have a chance to vote for his or her favourites for the People’s Choice Award. First prize is a gift certificate from:
Painty McGee’s Art Supplies – 2914 Lake Shore Blvd W., Etobicoke, 416 259-8392.
Our thanks to Jahnine Farquhason of Painty McGee’s for her generous support of Exhibit 2013.